Whilst EGttR looks beautiful, in contrast to Dear Esther this seems to have come at the cost not only of an inconsistent framerate but also a lack of narrative focus. One get used to the random framerate drops after a while, but such an uneven framerate is obviously less than ideal don't be surprised if you experience a headache or two, especially early on. Whilst the screenshots look astonishing, the actual game experience is far less exquisite, marred as it is by a jumpy framerate. I uploaded a few of these to Facebook and a number of people genuinely thought I had visited a neighbouring village. It’s easily one of the best-looking games to have come out of this generation so far, and the use of Cryengine has allowed me to capture some of the most stunning screenshots I’ve ever taken in a game. It’s a beautiful, picturesque village, filled with superbly detailed houses, fields, and all manner of other trivial objects that come together to make Yaughton feel like a real, tangible place. You walk around a mysteriously derelict scene sometime after a critical event has taken place, and it’s up to you to explore the environment and figure out what happened.ĮGttR takes place in the little village town of Yaughton, which is based in Shropshire, England. If you've played Dear Esther then you already know what to expect from Everybody’s Gone to the Rapture. Frustratingly, however, EGttR left me wanting more while never really managing to satisfy my curiosity. I’ve been waiting to play the game for months, and after recently being disappointed Beyond Eyes, I was looking forward to a title that I could really sink my teeth into and confidently enjoy. I'm incredibly conflicted about The Chinese Room’s Everybody’s Gone to the Rapture. By VGChartz Staff, posted on 15 August 2015 / 6,683 Views
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